Des nouvelles de Komplot: Brussels première of MARCEL + The Public School
Par La rédaction, dans L'Agenda -# 69 - Fil RSS
This week program at The Public School Brussels
Please subscribe on http://brussels.thepublicschool.org to receive the
newsletter and attend classes
'Communisms' Afterlifes'
A conference initiated by Elena Sorokina and Nataša Petrešin-Bachelez
With contributions from Dessislava Dimova, Olga Kisseleva, Albert Heta
and Agency
23rd of April 3-5pm at Café Central, 14 Borgval 1000 Brussels
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…
Distribution project curated by Sepake Angiama, Oliver Martinez Kandt,
Thom O’Nions and Adam Thomas
With Ben Cain, Ruth Ewan, Shahin Afrassiabi
22-25th of April in public space and Nadine, 80 rue Gallaitstraat 1030
Brussels
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'On board of the submarine KOURSK K-141 / à bord du sous-marin KOURSK K-141'
Party boarding on the 25th of April at 9 pm at Nadine, 80 rue
Gallaitstraat 1030 Brussels
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Komplot presents the première of 'Marcel'
A film by The Marcel Collective
Screening on April 22nd at 8pm after the première of 'Cittadelarte' by
Fabio Wuytak
Beursschouwburg, rue Auguste Ortsstraat 20-28, 1000 Brussels
Marcel is a collective, of Brussels based visual artists, writers,
curators and musicians, formed to make a film of the same name and give
birth to a film director of the same name. 'Marcel' is a docu-drama
which charts the factual and fictional associations between three
celebrated artists who gravitated around the surrealist movement in
Belgium and France: Marcel Duchamp, Marcel Mariën and Marcel
Broodthaers. A rocambolesque mise en scène, hallucinatory decor and
spatiotemporal collages make the reappearance of these ghosts of
surrealism possible.
'Marcel' takes as its point of departure a reinterpretation of Marcel
Mariën's controversial film, 'L'imitation du cinéma' (1959), itself a
satire of the book 'The Imitation Of Christ' (Thomas A. Kempis, 1424).
Playing on the intentionally outdated aesthetics of this historic film,
Marcel critiques current cultural trends for historical reenactment and
the aestheticization of documentary form, in a similar way to Mariën who
based a film on a book of religious devotion from the Middle Ages to
critique surrealism and bourgeois Christian society.
'Marcel' was shot over five days in summer 2009, within the confines of
a "conventional" film shoot, with all the hierarchical constraints this
implies. The cast was a blend of professional actors and amateurs from
the social and artistic circles surrounding the filmmakers. Through a
series of collective discussions, open screenings of work in progress it
became a meditative exercise on the collective filmmaking process
itself; adhering to Barbara Hammers maxim that: "collective filmmaking
is like walking over dead bodies to achieve your aim, and it’s a paradox
which cannot be solved."
'Marcel' is a deconstruction of historical persona, which shatters an
archaeological cultural experience into fragments of non-linear
"faction", making explicit the filmakers personal relationship to
knowledge. At the same time, the film uses the documentary form as a
tool to engage in cultural pickpocketing; Mariën himself being no
stranger to deception, passing forged bank notes drawn by Magritte and
financing 'The Imitation Of Cinema' with money he (allegedly) swindled
from the company he worked for.
Trailer: http://www.vimeo.com/8671107
Year / Country : 2010 / Belgium. Language: French / English / Dutch (w/
English subtitles). Duration: 27'00"
Supported by Flanders Audiovisual Fund (VAF) http://www.vaf.be & Netwerk
Produced by Komplot http://www.kmplt.be
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